4th bbq

The perfect summer sunshine 4th of July soundtrack.

An hour and 45 minutes of assorted flavors so damn tasty that you could heat them up today and enjoy the leftovers.

Hope you dig it.

EPISODE 41 LISTEN LINK

PLAYLIST

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1. The Roots feat. Erykah Badu – Billie Jean – MJ Tribute

2. The Roots feat. Erykah Badu – I Wanna Be Where You Are – MJ Tribute

3. Godfather & Co. – A Leap From Your Apple Tree – Tunes

4. Godfather & Co. – Be What You Want – Tunes

5. Godfather & Co. – Conclusion of a Master Plan – Tunes

6. Air – La Femme D’Argent – Moon Safari

7. Alice Coltrane – Journey in Satchidananda – Journey in Satchidananda

8. Sa-Ra Creative Partners – Love Czars – Nuclear Evolution: The Age of Love

9. Sa-Ra Creative Partners – Melodee N’Mynor – Nuclear Evolution: The Age of Love

10. Quetzal Guerrero – Rumba A Yemoja – Now

11. Godfather & Co. – Drinking My Life Away – Tunes

12. Godfather & Co. – Everything is Questionable – Tunes

13. Godfather & Co. – Free As You Wanna Be – Tunes

14. Godfather & Co. – Groovin – Tunes

15. The Roots feat. Dice Raw – How I Got Over – How I Got Over

16. Godfather & Co. – Hopeless Fools – Tunes

17. Zero 7 – Everything Up (Mock N Toof Remix) – Everything Up

18. Pezzner – Chapter Two – Om 15: Celebrating 15 Years

19. Solid Gold – Bible Thumper – Bodies of Water

20. Godfather & Co. – It could Have Been Better – Tunes

21. Godfather & Co. – Journey to a Different Land – Tunes

22. Lee Fields – My World – My World

23. The Knocks – Can’t Shake Your Love – DAMN! The Mixtape Vol. 1

24. Franz Ferdinand – Dream Again – Tonight: Franz Ferdinand

25. Godfather & Co. – Kibbles & Bits – Tunes

26. Godfather & Co. – Local Eyes Local Lies Localize – Tunes

27. Animal Collective – Summertime Clothes (Dam-Funk Remix) – 12″

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Picture 1

(Sponsor the Deacon of Speakin’ and Ms. Cecilia as we train for paddleboat supremacy….

Tournament info below…..sponsorship info here)

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TOURNAMENT INFO:

TEAMS OF TWO COMPETE IN A PADDLE BOAT RACE TO DETERMINE THE “WORLD’S BEST PADDLE BOAT RACERS” AND RAISE MONEY FOR CHARITY. THE MORE MONEY A TEAM RAISES, THE CLOSER THEY ARE TO THE FINISH LINE.

Who:
You and a pedaling partner! SIGN UP NOW! There are limited spaces with 15 boats per heat and only 3 heats.

What:
The Paddle Boat Regatta of the century, so far.

When:
Sunday, July 26, 2009, at 4 p.m.

Where:
Echo Park Lake and The Echo, Los Angeles CA 90026. FREE parking on Sundays in the public lot behind The Echo Park Time Travel Mart (Just below Sunset Blvd. between Logan and Lemoyne Streets). Click here for a map.

Why:
1) For the kids — all proceeds benefit the activities of 826LA!

2) For the prizes! The winning team each receives a $100 gift card from Book Soup, gift cards from The Hive hair salon, the trophy, the title of World’s Best Paddle Boat Racers, the eternal glory of victory, and more! Other prizes include, but are not limited to, a totebag with goodies from Unique LA and gift cards from Masa of Echo Park!

All participants will receive a gift bag with goodies from Filter, Izze, Flora and Fauna Press, GOOD and more!

How:
Register to boat at www.826la.org/regatta between now and midnight on July 24. Registration is free, though teams must raise $100 in order to race. As soon as the team has signed up, anyone and everyone can come to this website to pledge their support for the team(s) of their choice. Spaces are limited, so register today!

By donating money to the teams, the pledger helps buy their favorite team a better starting position. Team members should raise as much money as possible, because regatta teams will be ranked by their total funds raised.

Each heat will have a maximum of 15 boats. The “Commodores” (top 15 fund-raisers) will send 5 teams to finals, “Lieutenants” (mid-15 fund-raisers) sends 3 teams and “Ensigns” (lowest 15 fund-raisers) sends 2 teams.

Sponsorship:
If you’d like to be a sponsor, or for any other information on the Regatta or 826LA, please contact: Christina Galante either by email or call 213.413.3388.

RULES: Coming soon!

SPECTATORS: Recruit your own cheering section!

OTHER ATTRACTIONS: There will be a VIP after-party, location TBA. Participation in the race includes entrance to the party.

IMPORTANT DATES:
July 24: Registration and fundraising close at 11:59 p.m.
July 26: 4:00 p.m. The 826LA Echo Park Lake Paddle Boat Regatta!

About 826LA:
826LA is a non-profit organization dedicated to supporting students ages 6 to 18 with their creative and expository writing skills, and to helping teachers inspire their students to write. Our services are structured around our belief that great leaps in learning can happen with one-on-one attention, and that strong writing skills are fundamental to future success. With this in mind, 826LA provides drop-in tutoring, after-school workshops, in-schools tutoring, help for English language learners, and assistance with student publications. Drawing from a volunteer base of over 550, which includes many teachers, writers and journalism professionals; 826LA unites eager students with eager helpers. All of 826LA’s programs are challenging and enjoyable, and ultimately strengthen each student’s power to express ideas effectively, creatively, confidently, and in his or her individual voice. Please visit us at www.826la.org

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mike smilin

An hour-long tribute to Michael Jackson courtesy of J.Period (download the entire mix here on J.Period’s website).

Another hour of jammin’ music.

A proper way to return to the airwaves after a 4-week Pledge Drive hiatus.

I hope you dig the sounds…

- The Deacon of Speakin’

EPISODE 40 LISTEN LINK

PLAYLIST

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1. Michael Jackson – Butterflies – Invincible

2. The ARE – The Meaning – Dem Damb Jacksons Instrumentals

3. The ARE – Keep On Trying – Dem Damb Jacksons Instrumentals

4. J. Period Presents…Man Or The Music (download the entire hour-long mix here)

5. The ARE – When You’re Down – Dem Damb Jacksons Instrumentals

6. The ARE – Oh – Dem Damb Jacksons Instrumentals

7. The Roots feat. Dice Raw – How I Got Over – How I Got Over

8. Mos Def feat. Slick Rick – Auditorium – The Ecstatic

9. Roy Ayers – Liquid Love – Virgin Ubiquity II

10. Mos Def feat. Georgia Anne Muldrow – Roses – The Ecstatic

11. Lyn Collins feat. James Brown – Backstabbers – Mama Feelgood: The Best of Lyn Collins

12. Lee Fields & The Expressions – Money I$ King – My World

13. The ARE – We’ve Come Too Far – Dem Damb Jacksons Instrumentals

14. The ARE – Oh So Sad – Dem Damb Jacksons Instrumentals

15. Lyn Collins feat. James Brown – Rock Me Again & Again & Again & Again & Again & Again – Mama Feelgood: The Best of Lyn Collins

16. Coconut Records – Microphone – Davy

17. Paola Jean – Featherlight – Right On Time

18. Quetzal Guerrero – Give Myself – Now

19. Los Amigos Invisibles – In Luv With U – Commercial

20. The ARE – Walk On – Dem Damb Jacksons Instrumentals

21. The ARE – I Want You Gone – Dem Damb Jacksons Instrumentals

22. The ARE – Don’t Go – Dem Damb Jacksons Instrumentals

23. D.J. Rogers – Secret Lady – It’s Good To Be Alive

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mj rtt

MICHAEL JACKSON (1958-2009) BY NELSON GEORGE


Orson Wells’ rich, brilliant & ultimately doomed character Charles Foster Kane died, alone and unloved, in his California mansion. At the time of his passing he was a deformed, corrupt and far removed from the genius displayed in creating his mass media empire. In the aftermath of Michael Jackson’s I couldn’t help but think of ‘Kane..’ Michael’s Zanadu had been stripped from him a few years back, leaving him wandering from rental to rental home, such as the one he died in in Los Angeles yesterday.


Michael was prepping to try to recapture his once elevated status with 50 sold out shows at London’s massive O2 arena. But that was not to be. In fact I believe that the stress of preparing for that show, after his long performing layoff, played a role in his demise. With the music, videos and event tour that supported ‘Thriller’ Michael re-invented the art of the blockbuster album, creating an international stardom that endures. And, sadly, for the last twenty five years of his life Michael was in a losing battle with himself, trying to match that magical year even as the culture changed, the record industry imploded, and his personal demons ruined his reputation.


At several points in his life Michael revolutionized pop culture. He lead the first black teen group to cross racial lines. With Quincy Jones, he produced a trio of albums (Off the Wall, Thriller, Bad) that reinvented the rules for black artists musically and in terms of international appeal. The videos, grandiose, elaborate and full of wonderful dancing are still the gold standard for the merging of music & image. Along with Eddie Murphy, Bill Cosby, Oprah Winfrey, and so many other media legends, Michael made the ’80s a golden age for black pop culture.

I, like so many of you, grew up with Michael Jackson. With my mother, sister and family friends I attended the Jackson Five’s first Madison Square Garden show. Over the years I attended eight Jacksons/Michael Jackson shows and spend countless hours over the last forty years thinking about and, often writing about that man. In fact a book I did about him, The Michael Jackson Story, in 1984 jump started my career. It was first book and first exposure to the media machine that both celebrated, reported about and, ultimately, ripped him apart.

It’s hilarious how one sided much of the immediate commentary about the man has been. Sinner or saint? More apt is artist and sinner. People want to simplify a truly complex life. We have to be sophisticated enough to acknowledge that greatness and a touch of evil dwelled in the man. I’ve always believed that transcendent art emanates from the purest, most evolved parts of our soul. But that highly spiritual achievement doesn’t absolve us of our daily misdeeds. To simply brand him a smooth criminal, as some have, or to overlook his tragic nature, as have others, is to deny his humanity. The meaning of Michael Jackson’s life — as a black man, a sexual being, a abused and abusing adult — will be interpreted to fit the prejudices of the speaker. His music — it speaks volumes.


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I had the opportunity to link up with my OKPlayer brethren this past Sunday at Amoeba to discuss the bitin’ ways of Subway sandwiches, the importance of geography in the authenticity of tacos, and why Organized Noize is one of the most overlooked production teams of all time.

Hope you dig it!!

PART 1

PART 2

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…but this right here is about equivalent to kicking it square in the testicles:

T Pain & TSThat is all..

My only regret is that I didn’t get to do this interview..but HHO did a fantastic job..

Peep the goodness:

My Loft 1

Once again friend-of-the-Soundwaves-family DJ Destroyer has blessed us with a beautiful blend to help you get your summer started on the goodfoot.

The mix is absolutely BEAUTIFUL, the blends are lovely, and the download is free!!

Peep the goodness below (click on link to download):

DJ Destroyer – This Is My Loft Vol. 1

My Loft 1sheet

shoes sonic

I’m rarely ever the cat to air out grievances, but there is a certain someone who is getting his face on the cover of Fader magazine that has been perpetrating a fraud for quite some time and needs to be called out. Not to mention, the fact that this kid is using James Yancey’s name as a way to garner album sales, I felt more than compelled to let you folks know the situation and his history of foolishness.

This young man’s name is Harlem-born Charles Hamilton, and when he’s not snacking on knuckle sandwiches from his baby’s momma while he has a Pink Panther doll attached to his forearm (peep him running his mouth and catching five to the face here) or robbing Black Spade’s original music and reappropriating them as his own (peep said jacking here), he’s now chalking up executive producer credits from late great veterans.

Peep the swipe below from my man SweeneyKovar courtesy of FWMJ’s “Rappers I Know” blog (link here):

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By now it’s all over the internet that Charles Hamilton is crediting Jay Dilla as an Executive Producer on his upcoming debut album. Myself and various others were taken back by such a bold move and commented on it on everyone’s favorite social networking site. Charles had issue with our comments and requested people’s phone numbers to contact them personally. I gave him mine.

IT SHOULD ALSO BE NOTED THAT AFTER THIS CONVERSATION, I WAS INFORMED THAT THE J DILLA FOUNDATION HAS NOT EXISTED FOR SOME TIME.

STREAMING AUDIO OF THE CONVERSATION

Whattup Sweeney.

Who’s this?

Charles Hamilton, what’s the hate?

It’s not hate. I just think you’re kind of a dweeb.

Ok, break down what your issue is with me so we can come to a mutual agreement to where you don’t have to say anything to me or support my music and you can go about living your life.

I only say anything about you in a public forum when I feel it’s something ridiculous like crediting Dilla as an executive producer of your album.

Do you know my relationship with Ma Dukes?

No I don’t.

If you don’t know my relationship with Ma Dukes, proceeds from my album are going towards the J Dilla Music Foundation, which is basically a temple. My issue is, if you don’t know all the details of it and simply are putting out negativity about me and what it is I’m doing, especially since I actually have a very good relationship with Phat Kat and everybody else involved, especially since I was in the studio with Pete Rock when he was mastering the Jay $tay Paid album. Do you really want to put such negative energy out there on a public forum?

Listen, that still doesn’t mean the man did anything for your album–

The thing is —

Let me talk. I let you talk, now let me talk. It’s cool that you’re giving proceeds from the album, I’ll admit that, I don’t have any problem with that. You crediting him as an executive producer of your album when you never met him is just foolish.

How do you know I never met him?

Fine. When you never had a working relationship with him, which I know you didn’t because I think I would have heard about that.

Really?

Yes.

What do you know about James Yancey personally?

What do you want me to say? I never met him personally–

If you don’t know James Yancey, his little brother or his mother the way I know them, then you can’t put any negativity out there. That’s slander. Now I’m not taking a legal approach, I’m approaching you man to man–

That’s not slander. You have no basis to take a legal approach, that’s ridiculous of you to say that.

Yo…just deal with the fact that you don’t know a large percentage of the information. You don’t want to buy the album, don’t buy the album

I’m not going to buy the album.

By the way, don’t make this a bigger issue than it already is.

How am I making it a bigger issue?

By how you talking.

All I’m saying, I’m not saying you don’t have a relationship with the family–

If I’m putting him as an executive producer, and executive producer gets a percentage of the album, what are you so mad at?

I’m not mad. I think it’s laughable that you’re crediting someone who you never had a working relationship with, and yes I’m going to make that assumption, as an executive producer on your album. Outside of you supposedly giving proceeds of the album to the J Dilla foundation, I think this is a publicity stunt, in some way, shape or form.

Are you upset that I’m giving money to the foundation and that could possibly get publicity?

Not at all. I’m not upset at anything, I’m laughing at it. I laughed when I first saw it. I’m not upset.

In the heading of your email you said ‘Hate.’

Yeah, it was a tounge-in-cheek comment. In your twitter you posted, ‘any haters email me your number,’ so I was like, ok, if this is what you’re calling it, then I guess this is going to be what he classifies as hate.

Nah, but see you didn’t ask a question, you simply stated what you thought was a fact. So what I’m trying to tell you is, upon asking Ma Dukes, or Illa J, or even his daughter, you don’t know how close to the family I am. The Hamilton family and the Yancey family have a very good relationship, so I just want you to be clear on that. The next time you want to make a statement or anything about me, do realize that I’m the type of person that will ask for your number and call you.

That’s fine. Save my number. Call me anytime. Listen, I’m not taking anything out of pocket besides the fact that I think it’s ridiculous that you’re crediting him as an executive producer. You don’t have to credit him as an executive producer to donate proceeds of the album to the foundation, that’s just how you’re choosing to go about it.

Hello?

Hello?

Top 5s with my man DJ Gazoo. Dude came through with A PREPARED TOP 5 LIST.

This video is all kinds of awesome. Hope you dig it!